The Black Magical Arts.
_The Black Arts_ by Richard Cavendish covers a great many topics dealing with the magical arts, particularly black magic. According to Cavendish, the primary motivating factor behind black magic is the hunger for power. This is expressed in the biblical story of the Garden of Eden in Genesis where the serpent tempts Adam and Eve by telling them that if they ate of the Tree of Knowledge of Good and Evil they would be as gods. The traditional Christian perspective is that the black magician invokes demons or Satan himself and that his power comes from the Dark One. The magician however may believe that man and God are inseparable or that man can attain Godhood. The author begins by noting how magical principles operate, being based on the ideas of imitation, mimickry, and analogy. One fundamental principle believed in by most magicians is expressed by the phrase "as above, so below" meaning that the macrocosm is a reflection of the microcosm and vice versa. Indeed, it is in the writings attributed to the semi-mythical Hermes Trismegistus ("thrice-greatest Hermes") that this principle is most clearly expressed. In most traditional cultures, the left hand side is associated with evil, explaining why black magic is often regarded as the Left Hand Path among magicians. Cavendish next turns his attention to the modern magicians, including such figures as the notorious Aleister Crowley, Eliphas Levi, MacGregor Mathers, and A. E. Waite. The influence of secret societies such as the Golden Dawn and the O. T. O. of Crowley are explained and their role in the practices of these magicians is examined. Following this, Cavendish turns his attention to the mysteries of numbers and numerology. He explains how fortunes can be told by numbers associated with each letter in a name. The numbers 1 through 9 are given special meanings, along with the numbers 11 and 22. Cavendish also explains how numerology relates to cabbalism and the Tarot cards. Among the Hebrews, the practice of gematria, or assigning a number to each letter of a word, was common. This has been used to interpret various biblical passages. Cavendish also explains the "names of power", used by the magician to invoke spirits or to perform other magical rites. It was believed that a name holds special power over an entity, and the names of God, angels, and demons were especially powerful. The name of God was given to Moses in the Bible and is abbreviated as the four letter combination YHWH or the Tetragrammaton. But, some have suggested that God has a secret name which is not known (or even that the pronunciation of this secret name backwards may bring about the end of the world, or corresponds to the name of the Devil). The names of Jesus and Christ was also highly regarded by magicians. Cavendish next turns his attention to alchemy, including the making of the philosopher's stone, the turning of base metals such as lead into gold, and the search for the elixir of life. But, alchemy also had a more noble, spiritual purpose and the conversion of base metals into gold may be an allegory for the inner spiritual transformation of the alchemist. Following this, Cavendish discusses astrology (including natal astrology, mundane astrology, and astrology as applied to special events). Astrology is linked to numerology in many important ways, and each of the signs of the zodiac has a special interpretation. Cavendish next turns his attention to ritual magic. Here, he discusses the preparation of the magic circle, through which spirits cannot enter. He also discusses animal (and often human) sacrifice as a means to invoke spirits (or demons). The magician engages in a complicated rite which may involve various objects as well as the drawing of a pentagram or the Seal of Solomon in order to summon a spirit or demon to do his bidding. While performing this rite, the magician must remain within the magic circle at all times so that the entity called forth cannot interfere. Cavendish also discusses "the Lords of Darkness", the names of various demons which appear in various grimoires are often used by the magician to do his bidding. In addition, Cavendish mentions the practice of necromancy, in which the magician attempts to make contact with the dead, as well as the use of corpses and the creation of zombies in certain magical rites. Finally, Cavendish discusses "low magic" including the mandrake and various love spells. While the magician seeks to have demons and evil spirits do his bidding, the Satanist becomes servant of the Devil and does the bidding of his Dark Lord. Cavendish begins by discussing the origins of Satan in both the Old and New Testaments, including ancient Jewish tradition. Satan originally meant an "accuser", and his revolt against God may have been motivated by pride. Cavendish also mentions "the Watchers" from the Book of Enoch, who mated with the daughters of men and may have fallen because of their lust. Cavendish discusses Satanism, the outright rejection of God the Father and worship of Satan, as well as various heresies that arose out of Gnosticism. Cavendish next discusses witchcraft, distinguishing between scholars who believe that witchcraft actually existed in medieval Europe (including Margaret Murray who argued that witches represented a surviving pagan cult, and Montague Summers who argued that witches worshipped Satan) and those who rejected the reality of witchcraft. Cavendish explains the witches' Sabbat, the appearance of Satan to the witches in the form of a man or an animal such as a cat, a dog , or a goat, and the making of a pact with Satan. Cavendish also discusses the various magical uses to which the Roman Catholic mass has been put. He notes also the reality of the black mass, an attempt by Satanists to ape Christ, often involving orgies and human sacrifice. While much in this book should be taken with extreme caution, it offers a well-researched understanding of various magical practices throughout the ages.
Easy expalained magical terms
I bought this book in 1968. I WAS A TEENAGER. iT IS A GOOD BOOK FOR BEGINNERS . TO GET USED TO MAGICK TERMS. i HAD FUN WITH IT DOING OTHER FRIENDS NUMEROLOGY .. bUT DO NOT ATTEMPT TO USE OR DO ANY SPELL CASTING. fOR THE BEGINNER HISTORY IS YOUR BEST GUIDE.. sPELL CASTING SHOULD NOT BE DONE. gOOD BOOK FOR LEARNING ABOUT ALIESTER cROWLEY.. Also It was recently stolden From my house And I would like to replace it
As the old cliche' goes, "Very Interesting."
I'm surprised that this book is still in print and in high demand. I remember reading this book in hardback in 1974, right after watching the movie Crowhaven Farm. At the age of 14, I did not understand what the author was saying. Now that I am older, I will say that this book has filled in the gaps of my esoteric research.
Although the black arts is older then raising hell
The Black Arts by Richard Cavendish takes off where Raising Hell left off and offers an even more comprehensive approach to the occult arts and their practitioners, even going so far as to offer simple incantations and applications of the arts themselves. It is a pretty dense read and written with a much more scholarly tone, and as indicated, is much more comprehensive in its approach to the categorization that was present in the other book. Although the black arts is older then raising hell, it serves as a much better reference and starting point for those seriously looking to darken their soul and start dabbling in the occult arts. This book is not for the weak of spirit, beware, you may find yourselves turned over to the dark side and found plaything of demons.
Lukewarm
Cavendish's book is interesting insofar as it comes from an unusual perspective for those writing about the so-called Black Arts. His Christian bias is obvious, and nearly all examples he gives are shown through a Christian filter, but--unlike so many others--he isn't preachy. He doesn't condemn or support any of the practices within the book--this isn't a how-to guide or a religious tract, after all--despite his constant returns to the subejct of devil- or demon-worship. The quality of writing is fair and stays reasonably engaging throughout. The chief failing of this book--aside from the bias and emphasis on demon-worship--is his attempt to cover so much material in so little space. The chapter on the Kabbalah is particularly confused and rushed. He brushes past a great number of important details and doesn't always elaborate on his own discussions enough for the reader to pick up on the key details necessary for understanding.
(32 reviews)
